![]() ![]() Phillip did nothing until it was over when Phillip goes over to an injured Felix. No one bothers to help the wounded heroic Teflinger, except for his scared Army buddy Phillip whose only contribution was to finally yell out for the police which brought them in the first place. Passengers cry out, “That’s not the guy!” so the cops instead help the almost dead Artie off the floor and out, while a train conductor picks up and helps the other hoodlum off the train. The film ends at the 42nd street Grand Central station with the police finally entering the train and, without asking any questions and in reflection of the racial climate of the time, start to arrest the only black man in the car, Arnold who was just standing several feet away from the prone Joe, staring at him. Despite his broken arm and a stab wound from Joe's knife, Teflinger manages to overpower Joe, mostly using his cast to beat the man into submission subsequently, Artie drops his tough-guy facade and cowers when Joe is disarmed and overpowered. ![]() Teflinger engages the punk in hand-to-hand combat. This is when Joe pulls out his switchblade knife. Teflinger engage and directly challenge Joe with “Stop! Or I’ll put you down!”. Joe is persistent, causing the desperate parents to keep slapping Joe’s hands away as he tries to touch the child. The father holds his child close to his chest in a protective grip while trying to hide her from Joe’s sight. The mother and father are frantic and afraid. Joe gets on his knees and tries to convince the child’s parents to allow him to speak to her directly. Artie is passive, docile, and more of a follower.Īfter Joe terrorizes all of the adult train passengers, he is finally challenged when he turns his attention to a young child. Joe is the more aggressive and sociopathic of the two punks, humiliating and degrading the passengers one by one. They had a chance to get off the train at their stop the 125th Street station at Joan's urging but Arnold, being of a militant bent actually enjoyed the spectacle of white people tormenting each other, and made them stay and the punk's first victim, an asleep/unconscious derelict (Henry Proach) who was on the train always and remains totally oblivious to everything around him during the entire incident, including when the thugs seemed to be trying to set fire to him. stop, Arnold and Joan Robinson (Brock Peters and Ruby Dee). station, a recovering alcoholic Douglas McCann (Gary Merrill), who would be the first to attempt to stand up to the punks Kenneth Otis (Robert Fields), a gay man who earlier made an unsuccessful attempt at befriending McCann and got on at the same station McCann did and finally an African-American couple who boarded at the Mt. Felix Teflinger (Beau Bridges), the latter of whom has a broken arm at Burnside Ave., a middle-aged wife, Muriel Purvis (Jan Sterling), who resents her mousey husband, Harry (Mike Kellin), because he is a teacher who earns less than many of their friends at the 176th St. ![]() Phillip Carmatti (Robert Bannard) and Pfc. They tried to get off at the 86th street stop but were prevented by the thugs at Fordam Road, two soldiers, Pfc. Sam was the second person to really stand up to their tormentors. The other passengers board each station sequentially between Mosholu Parkway stop and 170th street: At Bedford Park Boulevard teenage virgin Alice Keenan (Donna Mills) and her sexually pushy date Tony Goya (Victor Arnold) at Kingsbridge Road an elderly Jewish couple, Sam and Bertha Beckerman (Jack Gilford and Thelma Ritter). 4 IRT Jerome Avenue Line 170th Steet station, we see in flashback the passengers begin to board, starting at the downtown side (toward Manhattan) of the Bronx Mosholu Parkway where Bill Wilks (Ed McMahon) and his wife, Helen (Diana Van der Vlis), with a child boarding the train at approximately 2:15 AM after Bill refuses to take a cab home in Flushing, Queens due to cost. After giving a hard time to a pool hall owner for closing early interrupting their game, then briefly harassing a passing couple on the street, then finally mugging an old man for his eight dollars and beating him into unconsciousness, they board the last car of a New York City subway train and psychologically terrorize the passengers who cannot move to another carriage (it would later be shown that the door at the other end of the car is stuck closed).Īs they make their way to the nearby elevated station No. It is Monday morning in the Bronx two deadbeat punks: Joe Ferrante (Tony Musante) and Artie Connors (Martin Sheen) are causing trouble. ![]()
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